In the dark ages, when I was a novice weaver, I thought I
was a fiber purist, but I was a fiber snob.
Acceptance to an art show, especially the first time, is
dependent wholly on pictures submitted. After the first time the jury looks for
work that is new, fresh, growing, but, it’s still all about the slides.
Fiber can be a challenge to photograph, and I looked for a
photographer who could do this kind of jury slide. At the studio I found the
job was well done; rugs photographed from a height, bags in nice little
groupings, and shirts laid on a good background and photographed with attention
to weave structure and colors.
We were accepted to some decent local and regional shows,
and, of course, next I tried for the big time. My first round of applications
to national shows included an application to the Smithsonian Craft Show, and
the rejection letter included jury remarks the clothes would have presented
better on a model.
I took that letter straight to town and slapped it on the
counter at the store of my friend Chris, who kept two artist galleries in town.
Chris heard out my rant about judging a bird by its feathers and other such
analogies. When I got done he said, “Joanne, get a model.”
My new photographer, in upstate New York, put my clothes on
the same woman who modeled all the garments he photographed, and Jerry
photographed for a lot of fiber artists. His model lived down the road from
him, in Woodstock. When he had a job for her she left her garden, walked up the
road, put her hair up on her head and modeled, dirt under her fingernails and
all.
One day Jerry said he wasn't photographing garments anymore;
his model quit. Someone had complained about her wrinkles, and she quit. What
to do? I got by on the old slides for another year, but pushing the old slides
to three years is so risky.
I thought of my friend Gail. I took her and a stack of
clothes to a new photographer not far away.
I told her all she had to do was put her hair on top of her head. She
came out of the dressing room with her hair up, the natural skirt and jacket, wearing
black heels and carrying another pair which she had brought. The other
requirement for modeling for me turned out to be bare feet. And so we carried
the last several years of weaving.
Weaving again, I really feel the Smithsonian jury’s remark to put
the clothes on a model. Helen, my quiet studio lady form does not complain and does not
come to meals, but she just isn’t enough. Fortunately, I still have friends.
The girl in the hat and the periwinkle shirt. She's modeling the denim shirt at the top of the right column, in the Etsy button.
And no, I never applied again to the Smithsonian show. They
really were out of our league, but that letter taught me a lot.



