I knew Beth would enjoy the music, and be a help, so we
asked her along. We had to demonstrate
and Jan brought a loom for Pete Seeger.
We took spinning wheels for Arlo Guthrie, and a loom again for Joan
Baez. Beth also brought her boyfriend de
jour for Pete Seeger.
The morning pace was peaceful, with plenty of patrons on the
grounds, wandering between break out stages with local and some national folk
groups. Sales were steady, but not heavy
until later in the day, when more patrons were arriving for the headliner
shows. Jan was weaving, Beth and
boyfriend were wandering, with instructions to be back to help before the
anticipated afternoon rush. When that
came it was far more than I anticipated.
People who browsed in the morning were suddenly in line with
purchases. I looked around, no
Beth. I heard Jan talking to someone who
had stopped to watch her weave. I worked
through the customers, writing them up, bagging them up, probably for twenty or
thirty minutes until I was done with the last customer and could turn around to
Jan and bust her for not coming to help me.
I saw a retreating back.
I’m here to tell you, Pete Seeger is as recognizable from the back as
from the front. “Oh My God. You have been talking to Pete Seeger all this
time!” My sister said “Oh, is that who he
was.” I’ve not forgiven her.
The Arlo Guthrie year was pleasant, but no adventures. He didn’t wander around to see what he could see, although we could see him holding several little break out sessions. The third year we heard Joan Baez, but didn’t see her at all, although the husband of a fellow artist told us they had been invited to meet her back stage after her performance. La de dah.
Celebrities notwithstanding, the Joan Baez year was the
best. I wanted to get kids involved that
year, so Beth and I took a loom dressed in every left over tube of carpet warp
we had in the studio. It was the best
rainbow warp ever! We took several shuttles, a basket of rags, a bottle of white
glue and a roll of masking tape. And a
big sign that said Weave a Placemat. Before the show opened we practiced on a
couple of exhibitor kids, and knew we had a hit on our hands. With basic instruction kids wove their place mats,
glued the headers, stuck a strip of masking tape with their name on their
placemat. Kids in line wound the shuttle for their turn. We took the finished mats off the take up beam
when three or four were done, cut them apart and set them aside. When the kids came back they learned how to
knot the fringe and then left with their mat.
We went through an entire warp each day and re-warped each
night. A lot of placemats went home with
a lot of kids. My favorite was a little
tike, maybe four. Feet didn’t reach the
treadles. A lot of feet didn’t reach;
Beth or I stood behind the loom and operated the treadles from the back. This little girl had a hovering mother. We got her started and mom immediately
offered advice. Little tyke said she
could do it herself. Mother pressed
on. Little tyke laid down her shuttle
and told mother she would do nothing until mother left the tent. Mother backed up. Little tyke said “I can still see you.” Mother stepped out. Little tyke sighed and said “I have to assure
her I can weave by myself.” And, she
made a placemat.
There's a kid who knew her own mind.
ReplyDeleteWhat a great idea to involve the young ones.
Wow! What a great time you have with your loom! Plus, an impressive number of memories.
ReplyDeleteTo see all those artists, and experience art--that is wonderful. Smart little girl.
ReplyDeleteI wonder what Little Tyke is doing these days!
ReplyDeleteWonderful experiences! You've probably started all of those kids out right. Get them weaving early! Like to meet that last little girl. she's a mover and a shaker!
ReplyDelete